la recherche II

4.13.06 pre-presentation docs

2006-04-13T21:23:00.000-07:00

Not much to add this week besides more rendered sections, updated CAD details, and the VE station transformation slides. I am also finishing the labeled furniture plans as the last of the documents to place on the boards. Have a good holiday.

4.06.06 perspectives and rendered section

2006-04-06T20:08:00.000-07:00

This week I have some slightly more exciting things to post: perspectives in progress. I finally have my first drafts of scenes from the 4 levels. I need to make a few adjustments, mainly adding objects to the apartment to make it feel "lived in" and adding panel shades to the 4th floor mixed use area. I have also just rendered one of my buildings sections that I am placing in this entry. I am rendering certain areas of the other building section, and the whole 4th level elevation.
Other than this, I am still refining the workstation prototype drawings. The joints will use one-size steel sleeves instead of the 3,4, or 5-ring stabilizer, and the ball will connect to a rigid piece that has a spring between it and the main anodized aluminum 2'-10" tube. The spring will be covered by 1)a protective stretch rubber layer; 2)the metal sleeve to accomplish the rigid joint (there would be notches to keep the spring from expanding). Hard to explain all these changes, but the new CAD docs I'll finish this weekend will show them as clearly as possible.
I plan to print the presentation boards in about a week from now.

3.30.06 coded plans and VE CAD detailing progress

2006-03-30T21:51:00.000-08:00

This week I have transferred the VE workstation model idea from MAX to CAD drawings with zoomed in details. The only detail I haven't included yet is the support system for the worksurfaces, which I am thinking will be a fold-out X structure that has the same type of binder rings at the ends as the joint stabilizer. The joinery is all of my own design, so it probably needs a bit of refinement. The steel ball is similar to the Haller joint. I guess keep in mind that prototypes for products by an individual can take years of changes before going out to market.
I am also including plans referenced to the ADA 2004 guidelines and the NFPA 101 2000.

3.23.06 building sections and updated plans

2006-03-23T21:31:00.000-08:00

This week I thought it best to post my unrendered sections since these are fresh pieces, as well as the plans as they stand now toward the end. I have changed around my schedule a couple times since the initial form, and this weekend I set out to finish accessorizing my workstation and adding in joints and surface supports. The next step is to transfer the MAX model of the VE station into cad as plan, elevations, construction section, joint detail, and any other details. I hope to eventually create a video sequence that shows the transition from fully set-up station to the frame to the original vector equilibrium form to storage tetrahedron. This will either be through linked elements in MAX, or perhaps a less time consuming still frame fade-in transition sequence.

3.16.06 newest rcps, daylighting, MAX furniture examples

2006-03-16T20:10:00.000-08:00

Well, this week I have more refined rcps (along with floorplans which I'm not posting this week). I replaced the catenary HIEs in the gallery projector area with some adjustable MR16s, placed dimmable MR16s in the center of the pitch rooms on level 1, and put in elevator and mechanical room lighting. I also had to change some fixtures on the 4th level to lower the power density. There are puk lights under the overhead kitchen cabinets in level 3 too.
We have also completed--a little late--our daylighting studies. I modelled the basic shell and fenestration in MAX and transferred it into photoshop in sections to show how the suns rays might enter the building.
We drew circulation diagrams for all levels as well, but I turned in my copies so perhaps I will post those next week.
Finally, besides modelling the building shell I have been modelling key furniture pieces whenever I can get a moment. I'm including a few examples.

3.09.06 updated floorplans and rcps

2006-03-09T19:44:00.000-08:00

Here are the up-to-date drawings. Right now I am drawing sections and creating MAX models to help one visualize the spaces in 3 dimensions.

3.02.06 rough lighting plans

2006-03-02T16:09:00.000-08:00

My post this week consists of drawings that are still very much under editing. I have calculated the room cavity ratios and number of fixtures over square footages, but need to check the total wattage per each level. I am also considering placing a skylight in the rear stairwell to add natural light and cut back on fixtures needed. I am still considering what type of fixture is best for illuminating the stairs. The sprinklers and air vents are not placed yet, but are on the legends. I will research the allowable spacings for each.
Other than composing these rough rcps, I am modeling furniture pieces in MAX.

2.23.06 workstation prototype approved, lighting

2006-02-23T18:00:00.000-08:00

This week I have an image of the workstation frame configuration that seems to work the best with the equipment requirements. One thing that will change from the image is the placement of the CPU, which will move to a hanger under the worksurface as is the current trend. The second shelf that is covered by the screen is meant to hold any peripheral equipment, such as a sound editing console, recording devices for film transfer, portable hard drives, a charging laptop.... I do not have pictured the attachable canvas pouches to hold pens, pencils, cd players, etc, or the fold out filing that will clip onto the frame as well. The frame has maximum width and depth dimensions of 8'6" and 3'10". Refer back to earlier entries for the explanation of how this 24-edged frame converts into the VE and then twists and folds into the much smaller tetrahedron or octahedron for storage.

Right now I am working on the rcps for each floor, and have recently done some extensive searches for fixtures that fit my design and have photometric data to help determine proper spacing. These are images of my fixtures with photometrics so far, and I also have some decorative fixtures in mind that will accompany these as accents:

Louis Poulsen X Series fluorescent susp. fixture, for hallways, 2nd level work area, and possibly 4th level spaces.
Louis Poulsen Oslo compact fluor. wall sconce, for waiting, gallery walls, and possibly 4th level mixed-use walls.

And for my possible choice of fixture to suspend from the office ceilings, since the jpeg will not upload, here is the site link to the Hess Village catenary susp. fixture. I plan to make the first and second "working" floors more industrial in appearance with exposed ceiling construction and suspended fixtures.

2.16.06 pretty solid floorplans and some sketches

2006-02-16T08:18:00.000-08:00

Well, since my last post I have composed some new plans, including a new 4th floor level to house the mixed use space + kitchenette (see Equipment series at this link) and a nicer pitch room. Since the outside occupancy is considered by the fire marshall to be assembly, he suggested blocking off a portion with planters to keep the total occupant load under 50 so there is only need for one exit (the front stair and elevator for me). I have checked these new plans with my instructor/mentor, and he seems pleased with all the adjustments. You may be pleased to know that I have kept the curved panels only to separate workstations on the 2nd level and gallery spaces on the first. This way, I only need to resolve the wiring issues between the 12' spaced power poles at the ends of the panels. Perhaps there could be power through the floor at intervals; not sure yet. The other 3', 6', and 12' panels used to separate the 1st level spaces are flat and have a hollow within to run wiring through like the tech-type systems panels of Knoll, Steelcase, etc.
I still need to put in the proper stair cuts and hidden lines and wall hatchings, and the workstation shapes will probably alter as I create new prototypes, but these plans are a good indicator of what I will set down in all other drawings and renderings from now on:
And finally, here are my first couple pose sketches for possible use in later renderings, along with the first sketch idea for my turning color mixing display in the gallery:

2.09.06 editing this week

2006-02-09T10:09:00.000-08:00

This week I have been reworking and reworking my floorplans to meet codes and accomodate all the spaces in the program. I have found it virtually impossible to combine the 2 apartments and the business mixed use spaces on the 3rd floor while meeting egress requirements, so the last couple of business spaces will move up to the set-back 4th level while 4 apartments fill the 3rd. My fire stairs and elevator thus have to move more centrally into the building to stay within the 4th floor setbacks. I have a lot of adjustments to make before I post my next (and hopefully close to final) floorplans.
No new graphics for this week. I shall put together a mini catalog of my panel options for review as soon as possible. As always, thanks for your time and patience.

2.05.06 workstation study and prelim plans

2006-02-05T22:28:00.000-08:00

Since I have already kept this up to date on my research and logo and panel ideas, I'll move on to my workstation study and preliminary floorplans. The workstation I imagine is derived from Fuller's vector equilibrium (VE), which can reform itself into either a tetrahedron or an octahedron depending on how it is twisted or pushed inward. The transition from VE to tetrahedron reduces the volume of the form to one twentieth the original--one fifth the original for the octahedron. So for storage a dynamic frame like this one would be ideal, especially since when packed together the tetrahedron and octahedron form the isotropic vector matrix, or the perfect space packing plan. The octet truss relies on this principle.
For practicality's sake, I had to slice the VE in half along one of its six planes of symmetry and flip one half over to create a station front and a station rear with a more comfortable middle seating ground. Here is an overview shot of the model so far:
Some added weight at the bottoms may be called for, along with another model with a square bottom to fit ADA more comfortably. As it is now, the keyboard tray pulls out far enough to reach without having to slide the chair into the triangle.

And here are my rough plans with some ADA and fire code info. I am not asking for an in depth review of these, but they're here just in case they might help explain a question I post:

I will send my semester schedule by another means to preserve the size of the text.

1.31.06 study models

2006-01-31T23:03:00.000-08:00

I put together some quick study models in MAX of panel setups for each level, with glass boxes to denote the stairs and fixed spaces (and also the areas from finished ceiling to finished floor). The panel trim is derived from a follicle of hair; I was thinking of Fuller's continual references to the true, many-faceted forms of things and imagined what a very thin tubular shaped object might look like magnified. When I put everything together, I was surprised to find an image of a forest. I then thought that an Alpine forest might be an appropriate manifestation of the German term landschaft atelier (landscape workshop). I created a tall, narrow panel with a nook near the top to house a lamp. This lantern will ideally be present before entering different spaces as an indication of passage to a "clearing." Here are some images of the study model, showing from top to bottom levels 1,2,3, and then stacked:

And finally, my first attempt at a new facade design incorporates the logo as an LED display that is activated in portions by sensors located on 2 miniaturized logos on the windows next to the lobby entrance. One would be able to touch a part of the small logo to light it up and then see that part illuminated on the large logo as well.

1.26.06 panels panels

2006-01-26T21:31:00.000-08:00

Well, instead of following my secure route of composing straight line panels, I've been convinced to go back to my original concept of a more blobject type landscape. So, I have been forming some initial models of translucent, 12'x12' hilly dividers. I plan to use a Lumicor or Varia type material to act as the outer 2 layers of the sandwich, with some sort of clear gel or foam insulation inside. The trick will be framing the panels and deciding where the wiring will run. One option of course is to run the power through the inbetween vertical joint pieces at 12' or 6' or 3' intervals. That way all the cords are easily hidden and light is allowed to filter through the panels. The panels will have to be fairly opaque in places such as the apartments. One nice thing about these panels, besides the mobility, is the ability to choose from a variety of hill patterns to reconfigure the space even if the overall wall to wall size and direction pattern remains the same. Plus, these dividers invite one to touch them and appreciate their presence in the space, unlike the relatively dull flat walls that serve function and only applied beauty (intrinsic is what counts). These are stills of the first 3 iterations:

1.24.06 updates on project progress

2006-01-24T19:28:00.000-08:00

Over the holidays I have focused on sketching out some preliminary wall layouts in plan, modelling workstation ideas in MAX, gathering furnishing pics and specs for each space, and researching concept paths from Buckminster Fuller's Synergetic Geometry. The wall layouts still need much thought and revising, but I have begun designing a reconfigurable partition system of 3', 6', and 12' measures. I've chosen these numbers for their practicality in interiors (12' flooring modules, 3' doors, etc.) as well as their loose reference to principles of synergetic geometry, i.e. the 12 degrees of freedom, the 6 planes of symmetry, and the 3 edges of the triangle. I'm trying to find a way to make these walls express this geometry that lies beyond the 3 plane Cartesian system full of perpindiculars. Perhaps some of the partitions could be leaning slightly inward into one space while outward from the one on the other side. A bedroom wall could lean slightly in so that the wall mounted tv is easier to view while on the other side the bathroom wall pulls away to give the sense of spaciousness. Tricky to make work, or to relate the "why" to others. It brings into account Fuller's observation that the universe is made of dualities: convex, concave; inside, outside; man, woman; tetrahedron, octahedron. Always think on both sides of the solution. I believe this leaning partition idea will work best in neutral or related spaces such as the gallery sections.
Moving on, since the beginning of the semester we have been updating our graphic identity of the project, which includes logo design. I do have some concrete logos I have revised to present for decision of which is best. Since my project is a graphic design studio, this is a relatively important aspect. The logo should advertise skill. Here are the examples:

12.02.05 kfx2

2005-12-02T19:15:00.000-08:00

I was recently informed of a Baton Rouge based design company called KFX2 (K-F-X squared) that offers services in conceptual design, 3d animation, video composting, and interactive design. I just visited their website, which is a pretty awesome use of flash. There is a contact number, which I plan to call to set up an appointment to visit their facilities for a guided tour over the Christmas break. The company profile says it uses state of the art equipment, which is really what I need to document for my workstation design.

12.01.05 interview with graphic design instructor

2005-12-01T17:19:00.000-08:00

I recently interviewed an instructor in our graphic design dept about the video editing equipment setup in the art building. He explained that to me plus a lot more about the current trends in video editing. The editing equipment in the lab is several years old and consists of 2 box monitors, a small control panel, peripheral plug-ins, a specialized keyboard and the cpu. In the last few years, editing has been pared down in its simplest form to a hi-power cpu with 2 flatscreens and a normal keyboard and mouse. The software is the key, not the hardware. For sound editing, a specialized keyboard is still useful. The instructor also showed me a photo of a streamlined server rack with thin servers and a cable patch to sort out the wiring. He said that sometimes people keep these racks exposed to view for the streamlined attractiveness of the elements. Colored optical cables are attractive, as well as the see-in windowed cpu shells with blue or green or whatever color lights inside. These functional pieces can become part of the overall design aesthetic. However, the mazes of mixed wiring at workstations do need to be controlled and as hidden as possible. Out of sight, out of mind. Some solution different than the usual cable ducts would be nice, perhaps a brightly colored slinky spiral that sheaths the group of wires. I believe I have seen a product somewhat like this for systems furniture. The instructor also mentioned having pull out compartments at the desk for anytime accessible storage of peripheral tools. He also went into some more technical details that will require more research into to fully understand.

11.28.05 conclusion of program

2005-11-28T19:09:00.000-08:00

economic factors

added to interaction matrix file

concept statement

The LANDschaft atelier translates as a workshop landscape. A design studio operates differently, relatively more naturally, than other types of businesses. The designers need a flexible, spacious environment in which to create and refine. The interior architecture and elements should encourage individual expression and enable moments of privacy and concentration. Rhythmic, continuous flow of air and natural light create a clement atmosphere for thoughts. Persons operate not as parts of a society, but as separate workers in the same field.

summary statement

broad tentative schedule of progress:

Dec. 2005
- logo design, technologies research, workstation research, transfer of plans into CAD with layering and weights setup, materials and readymade furnishings research, rough space planning sketches, specification sheet format and transfer of product info

Jan. 2006
- transforming of sketches into plans and rcps with chosen readymade furnishings and lighting, research into eco-friendly products for custom pieces, design and dimensioning of custom casegoods and workstations, incorporation of custom pieces into plans, specification in format

Feb. 2006
- beginning elevations and sections with chosen furnishings, addition of materials and lighting into chosen elevations and sections, complete rcp with vents, air returns, and sprinklers, materials for every architectural surface and furniture piece

Mar. 2006
- rendered elevations and sections, floorplan referenced to furniture, rcp referenced to lighting, beginning interior models, technologies research organized and specified, board layouts decided

Apr. 2006
- progress and completion of interior models, compilation of furniture, lighting, and material specifications into section of book, chosen book paper types and special labeling and dividers, book layout outline, beginning book page creation from drawings, models, and research

May 2006
- completion of book, printing and binding, sleeve with project cd, final powerpoint, printed boards

11.25.05 technical needs

2005-11-25T18:47:00.000-08:00

The LAND is an electronically based company and thus has relatively numerous technical demands. Starting with telecommunications, a company like MCI must provide high-performance internet access, such as the Dedicated T1 access that reaches speeds up to 1.54 Mbps. The dedicated access is suitable for "transferring large files, hosting a website, or having over 30 users at one location." Another option of convenience is the Voice over IP technology that combines voice and data over 1 network so voicemail can be retrieved through web and email and certain callers can be blocked from the system. The user can access the system through a cell or home phone directly as well through the Remote Office feature given by MCI.
A 1 gig Fibre Channel network pipe at each station is what LucasArts uses for high-quality media file exchange within the office; however, 10 Gigabit devices are becoming more popular recently to deal with network traffic, especially in the field of film animation and special effects. Intel produces the PRO/10GbE SR and PRO10GbE LR Server Adapters which allow huge animation files to pass between animator workstations and to production databases.
There must be enough servers to support all the computer needs of the building.

As for more generic technical needs, Honeywell sells the VISTA-32FB combination fire/burglary alarm system for small to medium businesses. The 5800 Micra is the smallest wireless recessed door and window sensor on the market and fits unobtrusively in the trim. The 5808LST Smoke/Heat Detector is another wireless product by Honeywell that uses Smart Check remote maintenance reporting and its "drift compensation continuously corrects sensitivity variances caused by dust."
Main lighting dimmers and LED utility--i.e. access panel, stairway, cabinets--and signage lights are necessities that save on energy costs.

11.24.05 biophysical needs

2005-11-24T19:33:00.000-08:00

Here are paraphrased summaries of research on the different systems incorporated into the LANDschaft building:

System 1 - Heating and Cooling

Geothermal Source Heating and Cooling...
- can heat one large area while cooling another (server room)
- lends operating savings that eat the initial cost on average in the first few years of operation
- uses electricity to move heat, not generate it
- warms buildings and heats water
- discharges heat back into the earth (in cooling) to dissipate and either go into the atmosphere as heat or recycle back into the building (in heating)
- uses HCFC refrigerant R-22 which has a lower ozone depletion potential than CFC
- does not contaminate ground water if installed by a knowledgeable contractor
- should carry the ARI (Air Conditioning and Refrigeration Institute) Seal
- has the "lowest environmental cost of all technologies analyzed -- including air-source heat pumps and natural gas furnaces."

System 2 - Lighting

The oikos green building reference site gives American Scientific Lighting as a company approved by Energy Star, ADA, and a couple other organizations. It sells energy efficient fluorescent and incandescent lighting. I have requested more information from the company through the mail.

System 3 - Power and Backup Supply

oikos also lists electrical company sites that sell low toxicity and energy saving products. Borealis Compounds, LLC, in NJ provides halogen-free wiring. Novitas, Inc., in CA provides a Super Dual Tech Occupancy Sensor--which would also count as the solution to a technical need--that uses infrared and ultrasonic technology to discern human motion from air movement and other sources.
Falcon sells power supplies in 3 different grades with On-Line Uninterruptible Power Supplies as the highest quality system. In a nutshell, incoming AC (utility) power is converted to direct current which is cleaned of AC power problems to be fed to a continuous duty DC/AC inverter that gives a new, regulated AC sinewave power; this power is now uninterrupted by utility power problems such as blackouts, most surges, power pollution, utility line noise, etc. Falcon has reduced the cost of online UPS to compete with other companies' Line-Interactive middle-grade backup systems. Having a backup power supply is crucial for a completely electronic business with digital filing.

System 4 - Plumbing

oikos lists Robson Thermal Manufacturing, LTD, in British Columbia, for Anti-Condensation paint to be used in wet environments such as restrooms; the company also sells duct liner coating to improve air quality and duct mastic and insulation for energy savings.
Sloane Valve Co, IL, provides water savings solutions in the form of waterless urinals, low flush toilets, and low flow toilet valves. Aquatherm Piping Systems, LLC, in MI, sells low toxicity polypropolene pipes.

I have written down the addresses and phone numbers to these companies listed by oikos, but hope to find local substitute contacts for the products.

Tomorrow, find out about technical needs and economic factors in the LANDschaft racconte...

11.23.05 another video/sound editing system

2005-11-23T17:37:00.000-08:00

I found an all-in-one HD video/sound editor made by Apple called Final Cut Studio that seems comparable to AVID. From the brochure, the setup looks similar with 2 lcd screens, a monitor, a couple small control panels, a keyboard and mouse, and an electronic sketchpad. The one important difference I've discerned so far is that a complex 3d modelling software is not present. Motion 2 has behaviors and particle emitters for shapes, fonts, and imported images. So for combining sound and video editing this system seems to work well, but the 3d modelling department would need a separate software package. AVID plus Digidesign Pro Tools/HD sound editor is a combination often used for Windows compatable video/sound editing. I think this is the setup I shall figure into the workstation design unless I'm advised otherwise. I can thus combine the sound and video departments into one area.

11.22.05 2d graphics dept research

2005-11-22T18:05:00.000-08:00

I sent an email survey to my professional advisor for the 2d graphics dept of my studio addressing her work reality and preferences. She has a desktop computer at her station with Photoshop CS, Illustrator CS, and Corel 11 for vector art (there are 2 shared MACs in the dept). She also needs room for reference books, and would love to have more tackable area to pin up callouts and notes to help her throughout the day. Her station has fabric panels that aren't very tackable in reality (the pins fall out). She said that the company does not want the workers to tack up stuff at the stations because it looks messy, but that is an impractical attitude when productivity can be increased through ready visual references. She would appreciate a task lamp as well. When asked about which environment suits her workstyle best--grouping v. individual, private stations--she said that privacy is a necessity for concentration and for being able to escape from unpleasant coworkers if the case arises. Most of the work is done individually in her department and then passed on to the next stage at another department before printing. At the smaller scale of the LANDschaft's 2d graphics dept, there would be more collaboration between individuals in the room to arrive at the final product. Since the proposed space is about 500 sq ft, there should be enough room to spread out the 3 workstations without necessarily putting up separation panels.

As for the product, most of the graphic files are exchanged digitally through the high-quality fileswap on the website. Images are much better quality this way than scanned, and sending negatives is one of the worst methods in this regard. The clients are encouraged to use the website to make orders, but there are also sales reps who do business over the phone. The easiest way is to enter the information into the digital database.

11.20.05 codes applicable to the LAND

2005-11-20T17:30:00.000-08:00

Here is a list of the building codes subdivided into sections that apply to the LANDschaft atelier design:

1. LA Fire Marshal's Manual
Baton Rouge, LA
225-925-4911

Sections: 1574, 1578.7, 1625, 1711, 1727, 1728, 1732

2. IEBC 2003
by the International Code Council in Falls Church, VA
1-888-ICC-SAFE

Sections: 101, 202, 303-305, 408, 410, 503, 506, 603, 604, 605, 608, 609

3. IBC 2003
ICC

Sections: 304, 702, 703, 706, 708-713, 716, 719, 801-804, 907, 1002-1009, 1011, 1013-1016, 1018, 1020, 1102-1104, 1109, 1204, 1207, 1210, 2902
*See B101.1 for the Appeal process

4. IECC 2003
ICC

Sections: 101, 803-805

5. IMC 2003
ICC

Sections: 305-307, 403, 602-607, 1402-1404

6. IPC 2003
ICC

Sections: 402, 403, 405, 416, 419, 602-605

7. NFPA 101 2000
Quincy, Mass
617-770-3000

Sections: 1.2, 7.2-7.6, 7.9, 7.12, 8.4, 9.6, 9.7, 10.2, 38.2, 38.3, 38.5

8. ADA 2004
by the United States Access Board in Washington, DC
800-872-2253

Sections: 211-213, 215, 216, 226, 302-309, 403, 404, 407, 504, 505, 602-606, 609, 703, 802, 804, 902, 903

11.18.05 adjacency studies for the LANDschaft

2005-11-18T16:22:00.000-08:00

Here are the spatial relationships so far:

11.16.05 contact search

2005-11-16T19:47:00.000-08:00

Not much time for this tonight. I'll write my thoughts on my professional contact search so far. I was able to easily locate a 2d graphic designer to consult on what working conditions are successful and which computer systems and software are preferable and so on. My 3d graphic design contact is not a certainty, but if he responds I feel he will be an excellent source of design and hardware suggestions. I have a couple leads in the video production/editing field that I still have to look into. All of these above sources are local so that is a definite plus. I am anxious to find out more about my alumnus advisor, someone in the hi-tech office design business. I feel that this person can cover best the general design questions while the others would assist more with equipment and workstation ideas. So if all works out, I should have an advisor for each dept, an office design alum, and an instructor advisor familiar with all the fields listed. That sounds ideal.

11.15.05 codes and such

2005-11-15T19:40:00.000-08:00

The municode.com online library of ordinances gives the Baton Rouge City building ordinances adopted in 1983 last revised August 2005. I found the section for existing buildings, and it gives basic instructions on maintaining the facilities, i.e. ventilated and fly-tight restrooms, properly working fixtures and plumbing, safe structure. There is also a detailed account of the building official's duty to enforce the codes and issue a hearing notice if anything is awry. The Baton Rouge ordinances for existing buildings seem to be common sensical commands that perhaps add nothing to the IBC and Life Safety codes. The zoning section simply listed a reference to the Unified Development Code which is on file in the offices of the planning commission and council administrator-treasurer. Hopefully the downtown building will not have to be rezoned as a business occupancy.

11.14.05 Silicon Gallery

2005-11-14T18:23:00.000-08:00

Today I decided to search out an interesting source on art galleries for the digital medium and found just such an article on Metropolis called Silicon Gallery. In a nutshell, it is about the struggle of architects to redefine, or not to redefine, the form of the art gallery. Some are twisting the architecture to compose sinuous walls of display screens and unique projection surfaces...this is in the style of the "blobject" that Asymptote has a large part in popularizing. The idea there is that with digitalization of art and design comes new visualization and manifestation of form to house it. This is a parellel step to when the steel skeleton surfaced. It takes one possessor of clear vision like Asymptote to show people how to properly use the tools. Other designers have been satisfied with the simple box approach to emphasize the works of art--but, then, why shouldn't the interior that carries the art integrate itself into the the general statement behind the pieces to become an embrasure rather than, well, a box (unless the sense of the box is key). Sometimes simple design is just lazy design for minds that are complacent in habit. Asymptote took the needs that cubicles are meant to address and made something beautiful and human in the A3. A digital art gallery should say that the surreal is possible and sensible.

hani rashid's guggenheim guadalajara

11.14.05 interaction matrices for the LANDschaft

2005-11-13T22:34:00.000-08:00

11.11.05 the Marion Group

2005-11-11T21:05:00.000-08:00

Almost forgot to blog tonight and then the laptop decides to shut down in the middle of my entry. So...time to write quickly just in case. I found a graphic design firm in Houston, TX, called the Marion Group that seems to provide all the services that I plan to include in my studio design. The group employs writers, translators, editors, graphic/web designers, multimedia specialists, photographers, marketers, printers, and technology providers. Marion focuses on advertising and marketing strategies. There is an email contact that I will use to find out who the architect/designer is for their facility. My screen is fuzzing out so that's the signal to end the entry.

11.10.05 lamar graphics

2005-11-10T18:29:00.000-08:00

I scanned the Lamar Graphics billboard design site today and found thier Prepress page with file requirements, available templates, file submission system, special vinyl layout calculator, and legal policies regarding this department. It makes me realize that the LANDschaft atelier will need a web designer on staff to get this type of information to prospective clients. Perhaps one of the graphic designers in the 2d or 3d departments could be in charge of this, or a separate station could be made. In any case, it is best to plan for at least a few extra worker stations to address company growth.

11.09.05 at a loss

2005-11-09T18:21:00.000-08:00

I have fulfilled my journal entry requirements for the week and have no new research so far to add today. I hope that I will be able to tour the other buildings for lease downtown and that we will have floorplans soon. I would like to choose a building with a fairly open, windowed upstairs loft and a downstairs (perhaps on flrs 1 and 2) space that can be easily sectioned into 3 departments and a public area. My professional advisor search is looking a little slim. Perhaps I will try to contact the architect or leader of one of my precedent companies with a list of beginning questions.

Enough about the big project for right now. Maybe I'll have time and motivation for a real free living of writing, personal studies, and perhaps even a little design in a few years. As Jake says at the end of Hemingway's The Sun Also Rises, "Isn't it pretty to think so?"

11.08.05 senior capstone program part .02 cont...

2005-11-08T14:06:00.000-08:00

Business operations for the LAND would take place as follows:
1. The LAND advertises its design skill through signage downtown, a newspaper ad, a website, and a commercial.
2. Clients will either walk in with commissions or call/email ahead of time for special appointments. Walk-in clients will have access to a public waiting area and gallery of company art. They will be able to look through brochures or catalogs of services.
3. The receptionist notifies the main designer on the appropriate staff of any arrivals for appointments and the designer comes to the front and leads the client to a conference area as mentioned in the last entry.
4. The president is directly in charge of large, multi-skill commissions. Details are discussed, a contract is made, and the client is given a second meeting date. For small, walk-in commissions like business cards or flyers the client would drop off the file(s) to the designer with a brief explanation; the designer gives the client a tentative pick-up date and takes down an email address for further notification.
5. Any 2d business documents, ads, etc. go to the 2d graphics department head and is split between the staff. This could be according to a MAC or Windows job, or particular skill type.
6. Any 3d still renderings or video go to the 3d graphics department head and is split between workers possibly as follows: worker 1 - modelling and camera, worker 2 - lighting and materials.
7. Digital+Reality film commissions create a hands-on relationship between the client and film crew (cameraman, director, editor, intern). A bluescreen room and an editing area are a couple main requirements. All 3 of the above departments are separate but conveniently close. Each have their own pitch/storyboard rooms with lots of tackable wall space, smartboards, projectors and such.
8. There would be a team area ideally located in a top floor loft for business meetings, alternative workstations (for laptop days and such), and lounging. The kitchenette would be located here as well.

11.07.05 senior capstone program part .02

2005-11-07T18:09:00.000-08:00

clients and users:
LANDschaft atelier, no address as of yet

For a digital visualization studio to be successful, generally there must be a need for 2d or 3d graphic design and video production/post editing in the area and/or through remote clients. The business itself needs excellent advertising to show its skills. It needs lots of special equipment to achieve this, including rendering computers, computers with 2d graphic programs such as Photoshop and Illustrator, film equipment, bluescreen technology, a post editing system such as AVID, and I imagine a decent sound effects program. The company must be able to take an assortment of file types to cater to the various softwares and operating systems their clients use. LANDschaft will also need output devices like vinyl plotters and photo quality printers/plotters.

The users, the clients of the LAND, will need access to example boards and artwork as could be seen in a public gallery area. Speedy call in, email, and pick-up service should be available along with a comfortable waiting area with Wifi connection. A private client-designer conference area with demonstrational tools should be available.

The people on staff at LANDschaft atelier would most likely consist of the president, the producer, video and graphic editors, 2d graphic designers, 3d graphic designers, a cameraman/photographer, the computer technician, an intern, a secretary, an accountant, and janitorial staff.

specifics on facility operation in the next entry...

11.05.05 wooden boat construction

2005-11-05T19:53:00.000-08:00

Since the lower portion of my appareil de vol is to be essentially the hull of a boat, it was suggested that I research traditional wooden vessel construction. I found a scandinavian site with lots of helpful photos illustrating the different phases of rundgatting boat building. From what I gathered, first the main parts, the keel, stern, and stem, are set in place and riveted. Next the planking is fitted in between the placeholder strips; the planks are steamed into position, planed, and then riveted. The floor timbers are then fitted into the system. Oak frames finish the exterior of the hull. The boat in these pictures was constructed as a class project. They make it seem simple in explanation, but the craftsmanship, the effort to mold the form, is impressive. The pictures below show the order of construction:

11.04.05 buckminster fuller, my hero

2005-11-04T18:32:00.000-08:00

buckminster fuller was a man with a worthwhile plan: to use modern technology and mass production to provide mobile, comfortable, efficient, and much more economical shelters for everyone. he wished to reach the solution by finding and applying the principles which govern the Universe. he saw that humanity must use its resources to compose livingry instead of weaponry; resources are not scarce if they are not wasted.
fuller's structures operate under the principle of tension v. of compression. he saw them as a natural system like in humans or trees with a backbone from which everything else is hung independently. they work with gravity. He developed a single family dwelling prototype in the 1940s to address the housing shortage in the US, but union and stockholder issues stifled his genius before full fruition.
the geodesic dome is his thing of beauty. he knew the triangle is twice as strong as the rectangle, and a spherical structure made of triangles would have superior strength. The sphere is important because it has the largest volume with the least surface area--less materials, less cost. heat and cold have less surface area to affect on the exterior; however, air and energy can flow freely inside such a space. the form is aerodynamic so wind turbulence is downplayed. radiant heat is reflected and concentrated inside. (For more info go to the Buckminster Fuller Institute online)

while I am not using a perfect dome for my appareil de vol, I will incorporate the lightweight strength of the spaceframe to support the boat hull; an elliptical dome shall cover the hull to complete an aerodynamic shell. The dome consists of a backbone with a cross section of ribs that plunge into the hull and attach to joists under the floor. I hope to use a hydronic radiant heat system underneath the floorboards along with a shutter system between the ribs.

11.03.05 proposal for capstone .01

2005-11-03T15:21:00.000-08:00

dokument : proposal for senior capstone project

title LANDschaft atelier ### 3rd st baton rouge, la

rachel richardson miller id 4720/fall 2005

table of contents (on hardcopy)

introduction

Everything you've learned in school as "obvious" becomes less and less obvious as you begin to study the universe. For example, there are no solids in the universe. There's not even a suggestion of a solid. There are no absolute continuums. There are no surfaces. There are no straight lines.

-- R. Buckminster Fuller

The designer’s task is to regenerate the interior architecture and space of a vacant building in downtown Baton Rouge. This project is to complement the general redevelopment plan for downtown currently in early fruition. The designer must choose a spatial type, in this case a design studio, and go through the phases of research, programming, conceptualizing, and synthesis (on paper). Faculty mentors and professional consultants will serve in the process.

The client is a 2d/3d graphic and film production and post studio, the LANDschaft atelier. The “LAND” will take commissions to create community and corporate identities, produce and edit commercials and short films, render architectural models and perspectives, and compose paper and vinyl advertisements. The LAND will also create and advertise its own art.

site and environmental factors

11.02.05 preliminary proposal

2005-11-02T16:58:00.000-08:00

senior capstone proposal

client – landschaft atelier

spatial type – digital visualization studio, to house 2d and 3d graphic design and small-scale filming/editing + a roof terrace

drive – a personal interest in the field and the desire to know more about ways in which such a business is run successfully (for example, which workstation styles work best for which tasks)

focus – workstation component design and technologies research

building – to be determined

scope of the project – final presentation to include concept, site plan, floor plans, rcps, a rendered building section, max model and perspectives, max model of workstation(s), materials and other furn. Board, and technical board if possible

and finally, here is a very preliminary idea for the graphic layout of the capstone documents:

11.01.05 l'appareil de vol

2005-11-01T17:28:00.000-08:00

The quote given to start off the living box project is as follows:

Living doesn't only mean "being on earth" but also "being under the sky."-- Martin Heidegger

The notion of living under the sky makes existence seem, well, mundane. I flee from the mundane when I have the chance in my design, so...for this project I go to Baudelaire. By combining the imagery of the mindscape of Paysage and the elevated being of L'Albatros, I have a vision of a pure white "flying machine" on stilts with all the bare necessities of life--plus some creature comforts--on the inside. One climbs into the great ribbed chest to be able to think without exterior distraction or judgments. There is a place for sleeping, eating, music, showering and such, and concentrated studies/work. The plan is open, one comfortable loft with lightweight, small furnishings. Most of the furnishings would ideally be hung from the ribs. The canvas sheets between the ribs can be pulled back to reveal a sky view for natural light and inspiration. The stilts would be at least 8' tall and would house the plumbing. The ribs would be fitted into the hull of the machine on site and then lifted and placed atop the stilts. The top of the ladder could then be fitted into the attic-style doorway into the hull. The unit is small enough to fit in pieces in a 25' long Penske rental truck bed. The flying machine is meant to be used as a retreat from the main residence for a period of concentrated thought and study.

Here are some precedent sites and images for the shell:

Santiago Calatrava's buildings and bridges

The Albatross Soaring Machine by William Paul Butusov

Flugga metal boat hull construction

10.31.05 precedent 3 for digital visualization studio

2005-10-31T19:16:00.000-08:00

The Letterman Digital Arts Center - San Francisco campus of Skywalker Ranch
Designed largely by George Lucas

The complex is located on the former Presidio Army Base at the base of the Golden Gate Bridge. An issue for Lucas is stabilizing the equipment and sets in the traffic and earthquake conditions.

This is a campus for Lucas film and game development (ILM effects and LucasArts) and also the marketing and legal division. The film and game departments must operate on a shared software platform. Thousands of processors are needed to keep up with the design work; 1-gig pipes at every station enable sharing of high quality files without having to break them down.
The campus totals to 850,000 sq ft and houses 1,500 employees with enough underground parking for all. The complex is split into sections as follows:

1. tenant
- 170,000 sq ft of office space for lease
- public restaurant

2. film and tenant
- offices for corporate staff
- coffee shop

3. film and effects
- offices for marketing/legal and work areas for design staff
- 350-seat screening theater built on slab for stability
- child care/playground

4. gaming and effects
- 13,500 sq ft data center for servers and enough room for 14,000 processors (very, very fast data movement)
- media data center with specialized servers
- training areas
- fitness center
- image capture studio with lots of cameras and a 3d stereo photography rig around a 1,600 sq ft stage; it has a 180 degree blue screen for realistic realtime movement against a background
- scanning and recording room well-insulated and built on a slab
- 15 reconfigurable digital editing suites

*very importantly, the complex has an "uninterruptible power supply" and backup generators.

Lawrence Halprin designed the public park.

I placed labels on the image at the beginning of the entry to show the main section adjacencies.

I appreciated the idea of changeability in the editing suites, perhaps compact and storable stations, everything easy to move around the space and out the door if needed. I imagine Lucas must have whole centralized storage sections in the complex for extra parts and equipment.
I also like the extra amenities such as the fitness center and child care center. Perhaps in a small facility, this could be pared down to a rooftop terrace and exercise room/entertainment room.
I did not mention the service facilities but as with the last precedent they must fit code given the square footage and building use.
Parking underground is not an option for a downtown building here, but having adequate spots next to the business is an important issue. At least the available buildings we have to choose from are located near the large parking garage.

source: "The New Heart of the Empire." Wired. 31 Oct. 2005 http://www.wired.com/wired/archive/13.05/presidio.html?pg=1&topic=presidio&topic_set=

10.29.05 l'albatros

2005-10-29T20:55:00.000-07:00

Not much free time for blogging tonight; I will share a favorite poem translated from french. This one in particular is important to me because baudelaire renders count that being different from others is not necessarily a weakness. it could be that one is a foreigner to the society where one stands, and ideally will at some point escape to the right one, throwing off the label of pariah. the former society will long for a replacement, as it must conserve shallow habit. even self-proclaimed artists in that society are condescending pseudo-intellectuals, bought at the price of the chance to become the real thing. don't be so foolish:

charles baudelaire

the albatross

Often, to pass the time on board, the crew

will catch an albatross, one of those big birds

which nonchalantly chaperone a ship

across the bitter fathoms of the sea.

Tied to the deck, this sovereign of space,

as if embarrassed by its clumsiness,

pitiably lets its great white wings

drag its sides like a pair of unshipped oars.

How weak and awkward, even comical

this traveller but lately so adroit -

one deckhand sticks a pipestem in its beak,

another mocks the cripple that once flew!

The Poet is like this monarch of the clouds

riding the storm above the marksman's range;

exiled on the ground, hooted and jeered,

he cannot walk because of his great wings.

10.28.05 precedent 2 for digital visualization studio

2005-10-28T18:50:00.000-07:00

Cartoon Network Studios - Burbank, CA
Studios Architecture (including interiors)

This is a 3-story industrial block building that needed to house an "urban campus." It has a darker 1st level; a silo-shaped skylight largely illuminates the open upper 2 levels (the building lies in sunny California). There is a nice view of the city from the rooftop.

Cartoon Network is a large-scale animation development and broadcasting studio; it needs a variety of spatial types such as recording stages, pitch rooms, production areas....

A challenge for the designer was to fit this campus into a limited span of space, so one naturally worked vertically, splitting the cartoon development areas by floor and the upper 2 floors by 2 cartoons.
The building is 45000 sq ft, which leaves 15000 sq ft per floor roundabout. Individual square footages were not given, but relative room sizes are shown in the cartoon network online maps. The recording stage on the 1st level takes up the most individual space, while the storyboard plus background areas total to approx. 16 per cartoon. Production areas are in large clumps as well. The pitch room and tv area seem to exist as single, medium sized spaces per cartoon. I'm not quite sure if the tv area is for recreational use, viewing work, or small-scale recording. There are several workers per each area mentioned. This network outsources most final animations but does initial layouts and storyboards in house. The artists use digital ink and paint suites to keep track of the signature colors of the characters. There are also background artists, voice artists, sound techs, and film editors.
Along with the work spaces, there is also a lobby and a gallery on the 1st level for guests. The employees are allowed to scribble art on the staircases, which sounds pleasant, and they also have a redwood rooftop deck to utilize to catch sun and view the city. This spot is wifi so laptops are welcome. There are presumably adequate restroom and lounge facilities along with some offices.
The building must have storage for storyboards, sketches, art supplies, discs, film, recording and filming equipment, musical instruments and stands, art for the gallery, etc.
The furniture was not mentioned, but from the photos one can discern a receptionist station, small workstations, monitors and large screens, music stands and stools, track lighting, AVID type editing stations, drafting tables, conferencing tables, task chairs, task lamps, plenty of overhead open shelves and underneath storage, and tons of pinup boards.
In the cartoon network maps, the tv areas are centralized and bordered by the background and storyboard areas (adjacent to each other), the pitch room, and a clump of production rooms. The recording stage on level 1 is to the far right and appears to have the storyboard and background rooms to the left--there may be spaces in between for general facilities.

The stained concrete, maple, homasote, and aluminum-colored ducts give a nice wide open, just-constructed look. The place reminds me of the Shaw Center a little for the high, exposed ceilings. The inclusion of a public gallery of company art is an excellent advertisement of skill.

Sources: Studios Architecture Homepage. 28 Dec. 2005 http://www.studiosarch.com/
Cartoon Network Virtual Tour Page. 28 Dec. 2005 http://www.cartoonnetworkla.com/english/watch/studio/studio_tour/index.html

10.27.05 sundries

2005-10-27T18:00:00.000-07:00

Oranges...oranges...I did some brief online research on the widely accepted symbolism of the color whose name comes from this fruit. Orange has been used as the color of revolution many times (which I did not know when I chose the fruit as my concept imagery, but it suits me). It is the contrasting color to blue--like the sky--and is therefore used as a highly visible "safety" color. Safety...security. An orange can be looked upon as a golden orb such as the sun that can be held in the palm of a hand, controlled at this level by a person. Orange in relation to the sun, in relation to fruit, evokes "life" "health" "happiness"--no fear, no worries. Picture someone walking through an orange tree orchard with the light waving through the limbs, touching the fruit and then touching the skin, thereby connecting the three (sun, fruit, human). One should feel inclined to wander the whole of this place absorbing as much light, color, and smell as possible. The blue of the sky seen in patches is not depressing, rather it softens the lines of the trees and gives moments of rest to the eyes. This is what I invision for my "blue resin and leaves" canopies hanging above the 1st level floor. The pattern is that of a branch turning toward the cafe with a surface of waves that glide one gradually to the leaf tip at the entrance. People on the street will see the turning waves and ideally wish to go inside and follow them to their destinations.

10.26.05 precedent 1 for digital visualization studio

2005-10-26T16:46:00.000-07:00

Working Pictures, Albany, NY
Walters Storyk Design Group (WSDG) - architect
Beth Walters - interior designer

The building is 2-stories with an overhanging steel roof; it is located in a secluded, wooded area in Albany.

The client is an independent video/post production studio which covers location scouting, casting, shooting, directing, editing, 2d/3d animation, and graphics. The company uses AVID Symphonies and Mac- and PC-based 2d/3d graphic workstations running Adobe After Effects, Boris Red, Zaxworks 3d, and Cinelook.

This studio needs a facility that allows for future growth (the company moved recently from a smaller building for this reason). The workers require non-traditional, stimulating creative spaces.
The building is 4,400 sq feet. There are 5 main workers on the team: a producer, an AVID editor, an associate producer, the president, and an AVID editor/graphic designer.
The large loft upstairs needs access by stair/elevator. One assumes there is a kitchenette and adequate restroom facilities with janitorial closet. The reception area is only mentioned briefly and not pictured. Private offices for the president and the producers are assumed present but not mentioned. There should be storage for cds, dvds, filming equipment, video reels, paper, etc. The team requires AVID stations, Macs and PCs, large workdesks, task and guest chairs, laptops, projection screens, phones, copier/fax/printers, and adjustable track lighting.
The production, editing, and graphic design spaces should be adjacent to one another. The team think tank is a separate open area upstairs. The reception should be located near the private offices. Restroom and kitchenette access should be centralized.
The building has an attractive floor to ceiling span of 16' windows which display the natural view around the first level.
The interior designer incorporated a copper reception desk, glass blocks, rubber flooring, and exposed brick in her solution.
I do not have the technical knowledge as of yet to say if the editing and graphic design system used is more or less successful than others, but I do know that glass blocks and rubber flooring in the spaces are not the choices I would make for the sake of beauty. If the building is in the midst of the woods, it might be nice to have some wood flooring to create a connection as one peers out the window walls. The staircase could look a little more rugged and natural. The glass blocks evoke an 80s doctor's office--not good. Perhaps some ecoresin panels would be better separators. I will keep in mind the idea of the open upstairs loft space for teamwork and the unusual station configurations that seem to work well within the irregular room shapes. The multi-direction track lighting is nice; perhaps projectors could be set up the same way in a viewing room to get several views at once or to show one view to many people at the same time.
The list of software and the editing system will be a good place to start some comparative technology research.

sources: "WSDG Designs Working Pictures' Space." Post Aug. 2005: 12.
WSDG Homepage. 26 Oct. 2005 http://www.wsdg.com/
Working Pictures Homepage. 26 Oct. 2005 http://www.workingpictures.com/home.html

10.25.05 oranges oranges

2005-10-25T19:42:00.000-07:00

I had been racking my brain for a non-garish way to incorporate my orange imagery into the layouts for the building f presentation when I saw a book cover on top of the pile of "new acquisitions" in my room. I've always been drawn to the illustration style that is very popular for 50s and 60s covers, especially of children's books. The lines are simple, sketchy, and very expressive. Here, in order from top to bottom, are the book cover mentioned above, the Phantom Tollbooth's cover (an old favorite), and my oranges to incorporate into the board background:

10.24.05 influences, perspective, and focus

2005-10-23T20:29:00.000-07:00

1 - Davis Rhorer's review of the downtown development allowed me to see the potential of getting involved if I am able to earn a masters in architecture. I want to help design grand towers for living that will hopefully reduce the chance of more urban sprawl. The Iberville and Bienville buildings are more of what I picture than the Shaw Center, which appears to bow more than rise. Besides the architectural development, I have an interest in the identity, the public signage and the "gateways" that mark a living downtown.
- my experience inventory consists of all the required classes for this degree plus a couple graphic design studies, an internship with OCDD--more graphic design work, and a 3d rendering commission for an instructor. I know a bit of French as well. I do not have any real professional space planning experience; thus, I need to do a bang-up job on the senior project and hopefully make a good professional contact or two.

2 - (via my web portfolio) my design philosophy shares Aristotle's eudaemonistic outlook that the motive behind completing a project is the enjoyment of Happiness rather than the fulfillment of duty. And it might be Freudian to state that happiness is the absence of pain and the presence of pleasure without guilt. Thus, my achievement should be painless, guiltless, and pleasurable. The design must be healthy and stimulating, painless, to the client. The design must not cause immediate or gradual harm to its environment; it must remain guiltless. The design must be a worthwhile occupation of my time; it must be pleasurable. These are the standards I have chosen for my creative work.
- I envision working very closely with a professional in my focus who can teach me the rules of successful design and treat me with an equal respect that will encourage me to believe there are decent coworkers and patrons waiting in the field. I would like the advisor to agree to schedule regular talks in which we both are willing and prepared. I would present precedents from research and the advisor would give related personal experiences and perhaps introductions to current projects that would augment this information. I would present diagrams and drawings to express my manifestation of the concept and the advisor would give open-ended advice v. pontification; email meetings might be necessary at intervals. There should be a concise triangle of necessary communication between myself, the advisor, and my studio instructor to keep everyone updated on where the project stands and where it should progress. Finally, it would be nice for the advisor to view the final presentation and receive a digital copy of my work.

3 - I neglected to mention in part 2 that I hope to design a digital visualization/design studio--given that there is only one graphic designer currently located downtown. As mentioned earlier, public image, along with new business identities, will need a source. Moreover, I have developed a personal interest in digital rendering while in the program on an amateur level and hope to learn more about what comprises a professional design studio. Two obvious sub-focus choices would be technology and interior component design for this type of business. I plan to research and determine the best hardware and software systems, along with how successful studios operate (teams v. private offices, live-in workers v. barely in the office hotelling, etc.). I would like to build some virtual workstations based on the information I glean during the study. Maybe compact stations would work best, or perhaps the client needs lots of space to sketch out storyboards by hand and make models first. The most difficult part I presume will be to locate the professional in this field, since digital design studios are not common in the state as far as I know.

10.23.05 italian designers own the furniture world

2005-10-23T18:41:00.000-07:00

I've learned this semester if I need a quick, attractive furniture selection to browse through the italian sites first. I found this stool last night by domodinamica that makes the inspiration for the adjustability obvious--it's a huge-scale screw. There's something about oversized metal hardware that just makes me happy inside. The vitesse stool is aluminum, so it is lightweight enough to move around. I'll let the piece speak for itself:

10.22.05 an intelligent guest speaker

2005-10-22T19:48:00.000-07:00

Friday we were lucky enough to have a well-educated, well-spoken man lecture on the interpretation of photography in regard to manner and matter. He introduced the session with a reference to Freud's libidinal and self-destructive drives and how the images of sex and danger are used to sell products. His visual analysis of a cigarette ad makes me view publicities a lot closer now to figure out exactly which drive is being exploited in each one. While I found the man's speech intriguing and valuable on the whole, I disagree with his comment that people our age (early 20s) are driven more toward the pleasure principle than self-destruction. I believe some people this age figure out that their drive for pleasure will not be gratified in the way they desire (not speaking strictly sexually here) and they must seek an alternative to happiness which is in some way actively self-destructive--i.e. alcoholism, work, sex-addiction...even Freud used cocaine, but this perhaps was an attempt to alleviate the pain from his cancer. I wish that I could have stayed to view the whole presentation, but perhaps he will be invited back before I graduate. thanks for an interesting hour in any case.

10.21.05 reflections and such - 6

2005-10-22T09:29:00.000-07:00

Now the focus is on political and economical drives/conditions of downtown baton rouge.

- the existing business types are as follows (from downtown merchant listing):
> a couple large item shops, incl. a piano store and a few furniture shops
> a few small groceries and the Farmer's Market which is only open Saturday mornings
> 9 museums, incl. the LASM and the Arsenal Museum and several which are inside historical buildings
> many gift shops, 2 within the Shaw Center
> Allright parking and Baton Rouge parking
> 3 listed bookstores, 2 of which seem LA oriented
> tons of restaurants with a good selection of ethnic dining
> 4 auto shops
> several fashion shops, including one named Richardson's fashion world, which I have a feeling I would not frequent
> 10 different office supply/printing/stationary shops
> a good selection of art galleries
> more private clubs and lounges than I would think necessary
> health centers, 6 spas/salons, and one fitness center
> one large hotel - The Sheraton
> 2 interior design firms and only one graphic designer
> over a dozen credit unions and banks
> 2 casinos
> 2 community-based organizations, the Lamar Community Kitchens and the LaCap Community Room

-heyday downtown businesses were as follows:
>research from the Frey book shows Third st had restaurants, retail, professional offices, lodging, and services. The Paramount (Columbia) Theater was demolished in 1980 to put in a parking lot. There was also other entertainment such as saloons and billiard halls down this st. Ladies' clothing and hat shops opened later. By the 1990s gag stores, cocktail lounges, and pay parking dominated. What a decline in grandeur and class.
Third st used to have much more pedestrian traffic due to close proximities of shops and the small city size. 3 buildings from 1900 on this st are found in some 1992 photos in the photography thesis by Frey which I have sited in Reflection 4. They are the 2 Reymond Buildings--one originally a dry goods store, the other used for medical and law offices--and a 3-story brick building in front the Istrouma Hotel. Buildings with balconies were also prevalent in 1900 v. the flat facades now.

- the upcoming additions to the capitol complex will create 1 million square feet of new office space and the consolidation of 3000 state workers into this area. The Louisiana State Museum's beautiful modern design and its contents, along with the new visitor center and expansive riverfront park, will raise the quality of life for downtown residents and educate visitors. The Iberville and Bienville buildings were planned to form a gateway that gestures "architecturally and spatially" toward the Capitol.--info link 1, info link 2

-besides this redevelopment plan for the Capitol area that came into action under Foster and his Commissioner of Admin, Mark Drennen, crucial additions were made downtown close to a century earlier under Huey P. Long. He commissioned the construction of the 32-story art deco state capitol that remains the tallest in the US. More industries also located in Baton Rouge and the population grew by a half. He launched a major growth campaign for LSU as well, which had just relocated outside downtown. (Frey thesis)

-As the revival gains momentum, downtown also is becoming a place to live and a place to socialize. Some 2,000 residents now call the area home, a number that should increase as more state employees move closer to work and new projects such as the River Place condominium development come on the market (see "Future Assets," beginning page 80, for more details). Downtown loft living is already a reality, and more lofts in long-discarded spaces are on the drawing board or under construction. Over the past 10 years, the area has seen more than $400 million in capital investments, much of it in the form of magnificent new state office buildings, restorations of historic structures and new commercial development. Property values have shot up throughout the area, including 20 percent to 60 percent in historic Spanish Town and a total of 11 percent for downtown as a whole. And with projects such as the Shaw Center for the Arts, the proposed creation of a Third Street entertainment district, the expansion of the Centroplex to a full-sized convention center and a riverside green space called DeSoto Park in the pipeline, it is only a matter of time until downtown is as active on nights and weekends as it is during the work day.

-with the downtown revival and recent pop. influx, the center of Baton Rouge is becoming more attractive to prospective residents and businesses with great financial means. People are ready to invest in the River Place condominiums and several more lofts in unused areas are being planned now. Over the past decade more than $400 million has been forked out in capital investments, mainly for fancy new office buildings, restorations, and commerce. Property values are up, and even more money can be made after the hurricane devastation. The Shaw Center, DeSoto Park, Third st entertainment district... are supposed to create activity (meaning spending) on nights and weekends. The people of money who wish to invest, do busines, and live in this new halcyon city are the economic factors I would say.

-business types needed in relation to those existing listed earlier are as follows:
>more groceries spread out by these new lofts and the offices would make sense
>more bookstores and less ridiculously named restaurant/bars that have a high turnover rate
>more hotels and theaters possibly, to give the feel of downtown like in the heyday
...and most importantly to me, an expansion of design services. I would like to plan out a digital graphic design studio for my capstone project if acceptable. There is only one existing graphic designer located downtown. The central businesses and community organizations should be able to have more easily accessible sources for advertising, logos, overall graphic identities, rendering services.... Graphic artists might be interested in locating a studio in downtown Baton Rouge for the new "hotspot" identity on a business card.

10.20.05 tempus fugit

2005-10-20T17:49:00.000-07:00

Time does fly when one is turning out Max models at full speed. My entry today consists of some images of these models.

10.19.05 reflections and such - 5

2005-10-19T15:45:00.000-07:00

The general demographics of downtown baton rouge are broken into 4 tracts, tract 12, 13, 14, and 15 on the brgov website:

Census tract 12

Block Group 1
Population
Total Population 130
White 65
Black 59
American Indian 1
Asian 2
Other 0

Occupancy
Owner occupied 9
Renter occupied 58

Education Attainment
Male- High School 13
Female- High School 0
Male- Bachelor's Degree 7
Female- Bachelor's Degree 0

Other
Vacancy Rates 8
Median year built 1966
Median House Value (Owner occupied) 22500
Number of Housing Units 79
Median Income 14615

Block Group 2
Population
Total Population 1017
White 787
Black 199
American Indian 5
Asian 4
Other 6

Occupancy
Owner occupied 91
Renter occupied 622

Education Attainment
Male- High School 23
Female- High School 97
Male- Bachelor's Degree 98
Female- Bachelor's Degree 113

Other
Vacancy Rates 15
Median year built 1959
Median House Value (Owner occupied) 91600
Number of Housing Units 809
Median Income 20511

Census tract 13

Block Group 1
Population
Total Population 483
White 163
Black 316
American Indian 0
Asian 3
Other 1

Occupancy
Owner occupied 38
Renter occupied 118

Education Attainment
Male- High School 33
Female- High School 41
Male- Bachelor's Degree 17
Female- Bachelor's Degree 34

Other
Vacancy Rates 0
Median year built 1940
Median House Value (Owner occupied) 28500
Number of Housing Units 188
Median Income 28000

Block Group 2
Population
Total Population 777
White 68
Black 705
American Indian 1
Asian 2
Other 0

Occupancy
Owner occupied 80
Renter occupied 133

Education Attainment
Male- High School 52
Female- High School 86
Male- Bachelor's Degree 11
Female- Bachelor's Degree 7

Other
Vacancy Rates 8
Median year built 1952
Median House Value (Owner occupied) 29700
Number of Housing Units 285
Median Income 11852

Census tract 14

Block Group 1
Population
Total Population 70
White 39
Black 29
American Indian 0
Asian 2
Other 0

Occupancy
Owner occupied 8
Renter occupied 39

Education Attainment
Male- High School 5
Female- High School 0
Male- Bachelor's Degree 21
Female- Bachelor's Degree 6

Other
Vacancy Rates 22
Median year built 1942
Median House Value (Owner occupied) 10000
Number of Housing Units 54
Median Income 33036

Block Group 2
Population
Total Population 498
White 269
Black 205
American Indian 3
Asian 8
Other 2

Occupancy
Owner occupied 84
Renter occupied 170

Education Attainment
Male- High School 25
Female- High School 54
Male- Bachelor's Degree 50
Female- Bachelor's Degree 43

Other
Vacancy Rates 15
Median year built 1940
Median House Value (Owner occupied) 75700
Number of Housing Units 298
Median Income 32500

Census tract 15

Block Group 1
Population
Total Population 1384
White 327
Black 1043
American Indian 5
Asian 4
Other 2

Occupancy
Owner occupied 182
Renter occupied 366

Education Attainment
Male- High School 70
Female- High School 66
Male- Bachelor's Degree 23
Female- Bachelor's Degree 34

Other
Vacancy Rates 9
Median year built 1949
Median House Value (Owner occupied) 54300
Number of Housing Units 661
Median Income 17230

Block Group 2
Population
Total Population 987
White 40
Black 923
American Indian 0
Asian 6
Other 0

Occupancy
Owner occupied 168
Renter occupied 186

Education Attainment
Male- High School 45
Female- High School 63
Male- Bachelor's Degree 24
Female- Bachelor's Degree 28

Other
Vacancy Rates 6
Median year built 1952
Median House Value (Owner occupied) 55900
Number of Housing Units 443
Median Income 16176

The BREC Strategic Plan gives city of baton rouge household type and size (2000):
Total 88073
Families 52661
Married-couple family 31,890
Female householder, no husband 16935
Nonfamily households 36312
Householder living alone 28178
Householder 65 yrs and over 7646
Avg household size 2.42
Avg family size 3.12

Also from the brgov site is the transportation information for east baton rouge:
Interstate - I-10, I-12, and I-110; US 61 and US 190
Rail - Illinois Central, Kansas City Southern, Union Pacific, Canadian National; terminals within parish
Air service - BR Metropolitan Airport w/ commercial airlines American Eagle, Delta, Continental, Northwest, Continental Express, and USAir
Avg number of flights per day - 30

More on commuting conditions and the existential questions to come...

10.18.05 first snow on fuji

2005-10-18T18:43:00.000-07:00

I recently found this book and bought it in part for the cover. These colors and shapes are somewhat stylized and dreamlike. I think a pale glowing bronze and a soft green like this one would be a nice combination for wall and carpet in areas of the 2nd level of building F. The bronze would be the backdrop for the garden/orchard scenes strip in the hall, while the carpet would be a solid sage with perhaps a tiny dot of white here or there. Some light fixtures with leaning arms like the plants on this cover could be suspended from the hall ceiling to brush right at 7'. I shall search for these tonight. Perhaps some white shades that look like blossoms would fit nicely into the mock orchard. That's it! I'll create a mock orchard atmosphere with little benches in front of panels that separate the hall from the team area. The panels will be gkd metal, but in the form of a latticework fence. It almost seems too perfect this train of thought...hmm. My best dreams are those about places like gardens and orchards where time seems to give up precedence to searching the surround--in this case, the walls and carpet, the art, and light fixtures. I might change my perspective focus to this area v. the reception.

10.17.05 reflections and such - 4

2005-10-17T18:15:00.000-07:00

geographical context/history of downtown baton rouge

The first European colonists (the Indian mounds come from 1000 yrs earlier) of Baton Rouge in 1699 inhabited a land of meadows and woods and abundant wildlife to hunt and trap. It grew into a river and plantation-based town, moving from French to British to Spanish control. Under the Spanish the taxes did not exist and a time of economic growth ensued. In 1817 Baton Rouge was incorporated and set up a government. During this time two important neighborhoods were formed: Spanish Town and Beauregard Town. Spanish Town was inhabited by French, English, and Spanish settlers, but most of the Spanish died from yellow fever and cholera. Beauregard Town was planned around a central square and surrounded by 6 other squares. It is bordered by the Mississippi, East Blvd, South Blvd, and North Blvd. The central square was later divided by Government St. In 1832 the state Pen was built on the corner of Florida and 7th St; now it is relocated at Angola. The old site became Victory Park and now houses a US Post Office, Russell B. Long Federal Courthouse, United Way Building, and the Old Warden's house.

By 1900, East Baton Rouge Parish had a population of 31, 153, the majority of which lived downtown. Third and Main were paved and became, respectively, the groceries and dry goods st and the service business st. The area grew significantly at the beginning of the century with the first street car which ran in a rectangle from Main, west to Lafayette, south to Government, east to 19th, and north back to Main, and with the arrival of Humble Oil Co. The population increased at this point by several thousand and people began to move out from downtown into suburbia--i.e. Garden District and Istrouma/Fairfields. These communities had their own groceries and such, and downtown now opened high class speciality shops in tailoring, clothing, jewelry, salons, gift shops, as well as restaurants and bars. The oil industry continued to grow and the first railroad station in Baton Rouge was built across from the old state capitol in 1925. In 1926 LSU moved outside downtown, and 2 years later the new towering state capitol was built on the former campus site.

The population grew rapidly from 1920 to 1930, totalling 68,208. All banking and serious business was handled downtown. In the 1930s state banks failed and downtown had to change in response. Private residences became boarding houses during the war. Then there was the post-war boom and the mass produced automobile. In the 60s the interstate came along with the 2nd great high-rise downtown building, the LNB Tower (Premier Bank). In 1972 the 24-story One American Place was erected on Main St. Later that decade the Centroplex and Government Complex were built. Once again in the late 1970s and early 80s there was prosperity due to an oil and gas boom and the population reaches 366,191 in 1980. In the late 80s the recession came, but then economic growth resumed in the 90s.

Frey, Jean T. Repeat Photography as a Tool for the Landscape Historian: A Survey of Downtown Baton Rouge. LSU Press: Baton Rouge, 1995. pp. 22-30.

At present, downtown Baton Rouge is undergoing a rejuvination. The idea is to recreate the area as a 24-hour center of activity for workers, students, tourists, and residents. Hopefully new businesses will be attracted, including art galleries and restaurants. The Shaw Center for the Arts of course was the most talked-about project this past year. The architects are going for cutting edge with expensive european channel glass and 4 story glass atriums and cantilevers and such. The building is noticeable amongst its neighbors. There is planning for more open spaces, civic centers such as the new State Museum, pedestrian and cyclist paths and lanes, and public access to the levee. A new trolley car now travels between LSU and downtown as well. For more information, peruse the Plan Baton Rouge site.

10.16.05 awesome Arslan

2005-10-16T18:22:00.000-07:00

I have an obvious fetiche for young, outstanding designers so here is another site--this time he is from Milan and has the expected international awards and jobs with companies like IKEA and Samsung. While his logos and lighting designs are impressive, I admire his site the most. I hope that he composes it himself; the flash intros and minimalist aesthetic are jetsetting--but check out the cocktails link for a better insight to who the designer is. I almost forgot to tell, his name is Dodo Arslan. Below is a close-up picture of his kaleidolight, an hommage to Achille Castiglioni.

10.15.05 a real designer

2005-10-15T18:23:00.000-07:00

Raymond Loewy, father of industrial design, was the master of streamlining. His mind was able to take a stock object and remove all the superfluous lines until he had a thing of beauty. Besides his projects in architecture, cars, and graphic design, he was recruited to work for NASA for 6 years to design simple, comfortable living spaces for the Skylab and Saturn-Apollo crew. He had a great mind and was able to compose designs that are more intelligent than many of today's embellished pieces. Someone like this man could I believe create a better streamlined housing solution for the concentrated populations of the world, including Baton Rouge's.

10.14.05 the guest speaker

2005-10-14T18:21:00.000-07:00

The most surprising thing I learned about hospitality, or food service, design today is that floor patterns of black and white squares are still in. Seriously, though, I thought the quick sketches he showed were fairly expressive representations of the real thing. The presentation made me realize how inadequate my elevations for today were. They lacked the reality I saw in some of the other students' work.

10.13.05

2005-10-13T10:26:00.000-07:00

the Okamura wavelet bathroom booth uses sliding doors which take up less of a swing radius while adding a little space inside. it is an accessible, attractive alternative to the usual dull stall door. I feel the space seems more sterile with the glossy, glass finish on the doors as well. it is important, especially in a food service area, that these facilities help lend a sense of security about overall cleanliness.

10.12.05 reflections and such - 2

2005-10-12T16:15:00.000-07:00

Katrina again. The obvious negative effect to Baton Rouge and other parts of Louisiana is overcrowding, which causes hellacious traffic, temporary housing issues and scuffles (i.e. a community is already petitioning the halt of moving FEMA trailers onto its golf course land; they seem to want to hand-pick who becomes their neighbors, which is understandable), and businesses without suitable centers of operation. Immediate thoughts: design compactly and efficiently for limited size spaces that are available for residents/businesses. european--and especially asian--design for lofts and apartments give great examples to go by. make all furnishings as mobile and reconfigurable as possible since businesses may only use the existing space options on a rental plan.
one thing I am convicted of is that these FEMA trailers MUST be regarded as a temporary refuge solution. we need to begin to build upward downtown, composing skyscrapers with as much integral grace and visual strength as I M Pei's Bank of China, or the buildings at La Defense, Paris (see image below). we must also do so with as little expense as possible to avoid a Perkins Rowe residential situation--exclusion of the many who are not affluent.

if many refugees and regular residents are able to live downtown where they work this could help alleviate the traffic problem a bit. not to mention that the chance for this type of heightened architectural expression in a rather outdated city would make me want to stay after I finally graduate with a masters, hopefully. I think businesses would be proud to give out their Baton Rouge address, like in the email article on business centers existing in Manhattan and such places just so people can claim the location without buying expensive property. of course, this is a long term dream that may not come into fruition til I am middle-aged (considering the south's affinity for tradition and recreating the old).
with promised road and airport expansion, as well as the ideal expansion upward and compactly as possible, businesses may be more likely to cling to Louisiana than before. I hope this is the push that will modernize our capital at last.

10.11.05 the blogger state

2005-10-11T11:58:00.000-07:00

Here is an image from an older Smithsonian photo contest collection that would work nicely into the series of garden/orchard scenes in different seasons that will create a continuous filmstrip across one of the business center corridor walls. I picture the line of images against a soft bronze-coloured background--rising or setting sun muted a bit. Perhaps there will be a couple LCD screens set into the wall that show the blossoms actually falling or someone walking through the garden. My overall design is still about the dreamlike existence that money can purchase.

10.09.05 too tired for this

2005-10-09T22:00:00.000-07:00

This will be brief. I was as usual doing possible furnishings research for building F and found the exact benches that are in the lobby of the hotel in Paris where I stayed aug. 2004. Didn't know they were "designer pieces," but here they are and I feel they would fit nicely in the business center corridor for art viewing or conversation. I'm including another photo of a wool felt minimalist Parisian terrain wall piece from hive. The company plans to compose a series of major cityscapes in this fashion. Could be an unusual collection to grace a colored translucent wall.

10.08.05 insomnia, blogger's best friend

2005-10-08T22:06:00.000-07:00

I've picked an image out of my furniture selections for the business center to address--I may not actually get to incorporate it, but this is worthy of bringing to others. It is called the Sunlight Table, because there is a system of optical fibres that runs from an input grid placed on a window, through a condensing cord, and then from below the table into a grid of pinholes in the top. The idea is that when the sun is shining on the window collector, anything that passes in the light's path will be transferred as a shadow image onto the table grid. It is a beautiful idea for a meeting room that does not have direct access to sunlight. It is a beautiful idea in general to turn a table into a projector of movement and light, two things that sustain us in health and motivation. Much respect to rAndom international. So far I have found impressive graduate designers' sites in Asia and Europe...here's hoping for US.

10.05.05 Hope in people yet

2005-10-05T21:42:00.000-07:00

I was researching furniture designers online for building F and came across an article interview with award-winning recent graduate designer Jason Ong, Singapore. He is responsible for the Chair for Daydreamers which won the Nagoya Design Do! International Design Competition 2000. His task was to compose a design that best represented the concept of hope for the future. I gained an empathy with him--far from being on the same creative level--when I read that he is influenced by the works of Camus and Sartre; however, he is mature enough to realize that hope and happiness can be collective as well as individual (The Conquest of Happiness, Bertrand Russell). I do not concern myself with this idea at present out of a numbness toward others that hopefully shall pass. He in the end reconfigures his chairs from an isolated, aloof stance of thought to a more bonded reach for hope. I love this man. He states:

"I often question what I do and I get bouts of depression once in a while. Depression is not totally bad, some of my best work comes out when I am extra sensitive and vulnerable. I don’t have the urge to create when I am totally happy, I will be engrossed in other indulgence. I also feel that truly creative work is not in the domain of the well-adjusted. You’ll need to be a little nutty to have a slightly different perspective from others. "

Another interesting creation is the Not Selfish in Bed(s).

10.05.05 The Halcyon City does not fit inside the cube

2005-10-05T10:26:00.000-07:00

Level 2, office space. There is never enough room for everything that office planning requires. Where does this issue embed itself? In the smallest detail. In the copy room. Thus we come to my question for the day: what will go? Determine the expendable. There's the joke really, and the program delivers the punchline: nothing can be taken away. So...I have 2 recourses. The first is to go with the popular wide open spaces ideal and jet the copy area between the receptionist and the admin assistants, no walls, which seems perhaps more convenient and not too troubling to the occupants. Recourse 2 is to create a semicircular curtained-in copy alcove that can remain closed or open according to the heart's desire. Strange how the whole balance of the business center revolves around the microidentity of 100 sq ft. Is this considered bad design?

10.03.05 The Halcyon City rallies again

2005-10-03T18:27:00.000-07:00

Here is the new brand for AXIS communications:
It carries a sort of surfer, drifting wave feel moving toward total repose. The fluidity--if taken in context--evokes ink, evokes coffee, which are the main representative elements of level 1.

10.03.05 it's raining in the Laughing City

2005-10-03T11:24:00.000-07:00

Time to rethink my initial concept statement and logo, which may, after all, be considered a little cartoony...perhaps. Maybe I'll go less for the happy little ghost and more for the abstract layering of waves to evoke thoughts of inks and coffees. It was leaning that way to begin with, yet I felt the need to add a happy face to it. Blame the mind-altering chemicals. Moving on, my statement about the Laughing City could be perceived as antagonizing. I suppose that refers to the idea of the neighborhood as integral rather than chosen. Or perhaps the whole "laughing city" term sounds a little Paranoia Agent intro where everyone is laughing hysterically and it makes one sick after a while. Too much cheer. The idea may be to go for a more relaxed, mature atmosphere than a playland for the rich. That was my initial drive, but sometimes it gets lost in the translation...still...the Laughing City will progress as the Halcyon City.

10.01.05 Whitman's freedom of living

2005-10-01T17:32:00.000-07:00

This is a borrowed entry from Walt Whitman's "Song of the Open Road"-- Leaves of Grass, 1900. He could well describe freedom and greeting of existence within the world:

3 You air that serves me with breath to speak!
You objects that call from diffusion my meanings, and give them shape!	25
You light that wraps me and all things in delicate equable showers!
You paths worn in the irregular hollows by the roadsides!
I think you are latent with unseen existences—you are so dear to me.

You flagg’d walks of the cities! you strong curbs at the edges!
You ferries! you planks and posts of wharves! you timber-lined sides! you distant ships!	30
You rows of houses! you window-pierc’d façades! you roofs!
You porches and entrances! you copings and iron guards!
You windows whose transparent shells might expose so much!
You doors and ascending steps! you arches!
You gray stones of interminable pavements! you trodden crossings!	35
From all that has been near you, I believe you have imparted to yourselves, and now would impart the same secretly to me;
From the living and the dead I think you have peopled your impassive surfaces, and the spirits thereof would be evident and amicable with me.

9.30.05 AXIS and the Laughing City

2005-09-30T18:04:00.000-07:00

The AXIS communications group claims ownership of the 1st and 2nd levels of building F. It needs an identity, an image to go with the name. This is a simple logo that will compliment my concept for the Laughing City, which in some brief words is explained underneath:

Perkins Rowe is meant to be a place where its residents and visitors can achieve a sense of security/neighborhood. Security is the belief that life can be managed by the self, it can speed up or remain static as the human need arises. The neighborhood is the idea of spontaneous meetings and the establishment of casual, convenient, stable social rapports—which couples with security.

The Laughing City harbors an almost surreal sense of security and peace, because the client can afford it. One never looks behind out of fear, only out of interest. Every action is freely dedicated to the pursuit of happiness, the learning and sensing possessed by someone without worries. The key, once again, is personal control. Stores present as many options/combinations of options as possible. Businesses are less about 15 minute escapes and more about comfort and concentration that forgets time. Homes are kingdoms, malleable, valuable, with an individual sense of owning.

As a designer, I have control over the sense of security and peace that one receives from the composition. Exploration toward Happiness can only happen under the condition that fear is not present. Fear of others, fear of being alone, fear of making a mistake...think Prozac Nation and realize how important an emotionally secure environment is.

frankly,
r r miller

9.27.05 The Laughing City lies on this side of paradise

2005-09-27T21:09:00.000-07:00

He has writer's block for the third time after sitting down in front of the little anachronistic metal-toothed machine. It seems to smile up at him, just asking him to punch its teeth in, to force the words out of it. No. Don't force it. He slowly pushes back the tiny soft plastic wheels along the grain of the wood. Morning has crept in his shutters and sent spectresque stripes across the solid grey of his untouched bedsheets. He thrusts the demiportes open and lets the full force of 8:00 am on the outermost rims of the 4th level shower away the film of an unproductive night. No need to turn the lamps on. His favorite part of the new day. He walks through his apartment sliding the curtain partitions open that in the evenings separate bedroom from living room from dining room. Now he has a whole kingdom to himself. He touches an item on a small menu screen on the living room wall and his flatscreen tv turns on to his favorite news program. He's not sure why it's his favorite; after all, they're all pretty much the same. Maybe it's the way the asian anchorwoman wears her hair in that 60s-style sprayed bob. He looks at his japanese low breakfast table and soft pile rug. She would look natural sitting there having toast and coffee with him. Daydreaming aside, he travels into the kitchen by himself and locates some oatmeal in one of the copper-coloured hanging baskets above his head. He'll eat, take a decent nap, then rally again to shake the infernal silence of the smiling machine.

To be continued...

9.26.05 hello EMIEW

2005-09-26T15:30:00.000-07:00

While doing some research on smart technologies, I came across this fairly new Hitachi robot model. His name is EMIEW, "Excellent Mobility and Interactive Existence as Workmate." He can move as fast as 6 km/hr (about 3.7 mi/hr I think) and his body leans to take curves well. He can gesture much like a person would with his jointed arms, hands, and fingers. He even has a vision sensor and multiple audio sensors so he can turn in the direction of a voice he is processing and match it with a face. He is supposed to be excellent at fetching--and just being cute. Once again, God bless the Japanese for being able to manifest ideas in an attractive, entertaining, and intelligent way.

Hitachi EMIEW link:
http://www.hqrd.hitachi.co.jp/merle/emiew.cfm

9.25.05 The Laughing City and the daysleepers

2005-09-25T10:08:00.000-07:00

The meeting has already begun. He greets the others and opens his attaché as he takes a spot on one of the 3-seater couches in their u-shaped niche by the window. They're all gazing into the majesty of the new x-3000 model flashing from front to side to back to top...on the projection wall before them. She presses a button on her minilectern and in a moment the tapping of heels arrives along with a tray of hot coffees and one cold tea, skip the sugar. The heels twist a half turn, pause, and then follow the same path back to the reception area. A soft spray of classical music diffuses throughout the waiting area from seemingly nowhere. The sandy carpet muffles the steps of the woman with the tray and the orchids on the window sill perform their lazy afternoon stretch. The people seated watch the images on the twin screens above the receptionist's head. A young woman headed to the water fountain wanders across some seasonal prints of sculpted gardens hung in a line down the hallway. Some have forms of animals amongst mazes of shrubbery, others are patterns of vividly colored pebbles surrounding a tree with budding, falling, fallen white blooms. The water makes a trickling sound as it falls down the contours of the mouth of the fountain. A little further down and across the hall people are calling, typing, conferencing behind the series of resin-paneled translucent doors. Metal fans above the desks slightly stir the ties of the executives, who stand bent while using fountain pens to analyze details of the latest mock-ups. One steps in for a moment then leaves to go send an overdue fax; he approaches and slides back the thin metal curtain, glides past the printer, the copier, and then takes post at the fax machine. It is quiet here in the alcove that separates private offices and conference areas. The various sized box shelves underneath the window contain paper clips, letterheads, labels, a change jar, post-its, brite-white paper, and a couple tins of assorted candies among other items. There is a wall dedicated to anyone's favorite pictures, poems, oeuvres d'art; it's the diving bell where one comes up for air at certain times of the workday. A little past this sanctuary the walls turn into translucent, semi-opaque fields. The solid, boldly colored doors to the conference rooms seem the only grounded element of their façade. And yet a little past these lies the same "office" where the man with the attaché is finishing his lukewarm tea, no sugar.
This is my first vision of the 2nd level of our building F.

9.23.05 my koga

2005-09-23T21:40:00.000-07:00

My puppy Koga is a most inspiring creature for me.

9.23.05 The Laughing City

2005-09-23T13:45:00.000-07:00

From the street it sounds like a music box is playing. Inside the cafe the words form and falter following an airy little tune that should come from a music box. The striped awnings move up and out and down in floating waves as the sunlight blinks underneath at the people reading, the people drinking, the people living. They feel secure. They know life can be static, can be light, can be made surreal here where the only rushing movements are from the individual smoke signals their coffees send out. One glances down the path from the awning's dust-filled sunbeam to the sparkle on the glass-covered shelves of chocolates, cookies, candies, muffins...almost anything that naturally belongs with a good book. The one behind the counter weighs them and then wraps them in a soft but strong copper foil with a bit of violet ribbon to seal the top. From the counter one can make out the figures moving behind the curtain that separates the cafe from the copier's store. Here is where people are in action. Signs reminiscent of those Guimard created for the Parisien metro designate sections for "Business Supplies" and "Art Papers" and so on. Some sit at a circle of computer stations to set up their items to send to be printed and packaged by the workers behind the counter. One man stops by to pick up an anniversary card at the very precisely last moment. People filter through the curtains from time to time to buy a hot cup of coffee and obsessively check email on laptops, waiting for that final tangible affirmation of a project completed...
This is my first vision for the ground level of our building F of Perkins Rowe.

Cafe Le Notre, Paris 2004

9.13.05 - 9.19.05

2005-09-13T20:27:00.000-07:00

My function in the seminar group is to research and compile information on smart/integrated technologies in hospitality design, namely hi-tech hotels. Here are several different annotated sources from web searches:

1. http://www.hotel-online.com/Trends/Andersen/tech.html
Arthur Andersen, financial consultants, wrote an article about which technologies will give competitive advantage to hoteliers. One stop guest services that allow one to select video, audio, and outside services by remote control from the hotel room are at the top of the list. This will ideally branch into fully integrated systems for guests to shop, get tickets, make reservations, etc. using a "central guest data repository" and access to these services. Smart cards are common in many hotel chains now; they contain an integrated circuit that can unlock the room, and could facilitate charging purchases around the hotel ideally. The article explains that the card could also be used as the airline itinerary. Another very snazzy technology is the touch screen check-in/check-out kiosk to skip the front desk. The Hyatt has adopted this system at about 30 of their hotels. Database marketing is another advancement that would allow the centralization of a customer database for the whole chain, accessable by all properties in the network, that profiles, segments, and targets customers. Finally, the complex Executive Information System (EIS) would provide an easy-to-use updated listing of the hotel operation's "key financial results and performance indicators."

2. http://www.inncom.com/index.cfm
INNCOM International, Inc. "develops, manufactures, and markets advanced guestroom control and energy management systems for the global lodging industry." It uses infrared control technology and a centralized nucleus. One of many of its smart products is the e4 Smart Digital Thermostat. It has a passive infrared occupancy sensor, an optional infrared transceiver, and 5 relays. It couples with the INNCOM wireless magnetic door switch for room-specific energy control. The thermostat also has a humidity control, outside temp display, minibar access reporting, housekeeping button, and light control. The temperature drifts up or down to save energy when it determines there is no occupancy. The infrared transceiver allows the thermostat to be controlled by remote and to control smart lamps. The E2000 PTAC Energy Controller is a slightly less snazzy model of an energy management system (EMS) that returns the AC to an energy saving setting when the occupant is gone. Another of INNCOM's guest room innovations is the S217 Infrared Light Switch. It is connected remotely to the front desk to allow switching on and off when the guest checks in or out. Lighting can be set to conserve energy and to meet a desired ambiance level for the client. This switch can act as a "gateway" to the magnetic door switch. There is also an external door plate, the P263, that acts as a doorbell and an LED "do not disturb" or "make up room" indicator operated from a guestroom interface device. Pressing the DND will shut off the chime function. If the room has occupancy detection, the staff can use a magnet in their card to display the status and avoid having to knock. And the bigtime product, the GDA-700, is the touchscreen Guestroom Digital Assistant. There are display options for climate control, lighting, drapes, alarm clock, digital radio, and a two-line speaker phone. Other features include full EMS, connection to local services, communications (like a stock market summary, for instance), and voice annunciation. This GDA is a single smart unit to replace multiple remotes.

3. http://www.hotel-online.com/News/PR2002_4th/Oct02_SensorStat.html
Onity, a global seller, creates EMS (Energy Management Systems) under the brand SenorStat. The Digital Programmable Thermostat works in much the same way as INNCOM's E2000 model. This site gives guestroom energy savings as between 30-40 percent of normal, and rebates are offered in over 20 states; even without rebates, full payback on the EMS can be within a year and a half to 2 years. Onity is also responsible for smartcard technology, such as hotel room door access cards.

4. http://www.torontocentre.intercontinental.com/yyztc/meetings_02.html
The InterContinental Toronto Centre is written to be the most technologically advanced hotel in Canada. This label mainly speaks of its "boardrooms of the future," the Conquest and the Visionary. To begin with, metallic tiles on the ceilings part by the touch of an icon on the control screen to allow a LCD projector to lower to operate with a drop down screen. One of the 2 60-in plasma screens at the other end of the room can split the view into 4 to show web feeds while the other projects the visual of this boardroom that is broadcast on the web. This last screen can also become a SMART Board (Calgary's Smart Technologies Inc.) controlled from the Sympodium interactive lectern that includes a stylus. There is a touchscreen to control all equipment, including sound and lighting. The usage price per person for these 2 boardrooms begins at $145 with a minimum of 12 people.

5. http://hotels.about.com/od/hiphotels/tp/future_hotels.htm
This is a light article from About.com listing the editors' chosen top 10 hotel technologies of the future:
1) Foldable Pods with active walls that show images set by the guest (these could go anywhere hypothetically)
2) Biometrics- identifies an individual by a retina scan, fingerprint, or voiceprint
3) Robots- concierges, butlers, bartenders, masseuses, etc.
4) Nanotechnology- a transformable hotel room to fit specific client needs; still very Star Trek but scratch/stain-resistant furniture, self-cleaning glass, and windows with UV/IR filtration are more plausible5) Holographic images of guests to be present at teleconferences
6) Room Selection/Personalization through a system that keeps track of hotel inventory and general room info to presents choices to guests
7) Undersea Resorts- look for the Hydropolis in Dubai at the end of 2006
8) Floating Hotels- look up the plan for "America World City," a huge liner with 3 hi-rise hotels atop it
9) Space Resorts- not really a new concept, but one that may take a while and a sh*@load of cash to be manifested successfully
10) Smart Cards- to contain microchips that allow automatic check-in, hotel credit spending, and automatic recall of guest room preferences

6. http://www.energyusernews.com/CDA/ArticleInformation/features/
BNP__Features__Item/0,2584,100848,00.html
Berkeley Lab researchers are doing a study on energy savings from using a special bathroom light fixture that turns off an hour after no sensed occupancy. This eliminates the aggravation of sensors that shut off lights while the occupant is still in the bathroom, and it still provides crucial energy savings (the majority of energy waste occurs when a fixture is left on longer than 2 hours). It also incorporates a LED (light-emitting diode) based night light that stays on after the regular light shuts off for the convenience of the guest.